Alla inlägg av Alex

Karin Häll

Marjolaine Lombard


    HÖSTEN 2020

    21.8-6.9 Marjolaine Lombard

    11.9-4.10 Karin Häll

    9.10-25.10 Johan Wiking

    30.10-15.11 Ingrid Jonsson

    20.11-13.12 Örjan Wallert





Geraldine Hudson


Geraldine Hudson

Rites of Spring – between Ostara and Beltane

25/4 – 3/5 2020

Första akten 25 april 20.00

Andra akten 26 april 20.00

Tredje akten 2 maj 20.00

3 maj öppet 12-17 med bokrelease.

Rites of Spring – between Ostara and Beltane

You are warmly welcomed to observe (through the window) a performative ritual act of invocation and votive sacrifice … As now we exist, in a time which is having a profound affect on us all unreservedly … you are invited to an act which doesn’t propose to offer any solace, but a reminder … a marking of time as the artist continues her work commited to the turning of the wheel and recognition of the cycle of birth – death and rebirth.

There will be 3 acts …
The first act taking place at ID:I Galleri on Saturday 25th
April at 20.00, the next act the same time on Sunday and then the last act the following Saturday at 8pm.
On Sunday 3rd May from 12 -17 is the release of a small artists book publication .. the gallery will be open and it will be possible to come and meet the artist.

Geraldine Hudson is an interdisciplinary artist from Engand where she received her Bachelors and Masters exams in Art. exam in art.

She has exhibited around Sweden and Europe having been based in Stockholm for 10 years, during this time being involved with various art projects, notably curator at Konstapoteket, being a board member of Fylkingen and being the main producer/curator for the art n esoteric conference Conjuring Creativity – this is a chance to see some of her work before she returns to England to begin the acclaimed MFA programme at Goldsmiths University in London. Geraldines work has been largely concerned with notions of the sacred/profane and communicating the liminal, when relation to psychological, phenomenological states and physical places .. in a possibly misguided quest to become in tune with the cosmos through genuine connection with the land beneath her feet .. as above so below – on both a personal and social level, through a firm belief that our seperation from the land and the ’wild’ is responsible for our subsequent alienation and all that entails … the chthonic being the constant … and Hecate as her guide.


Rites of Spring – mellan Ostara och Beltane

Du är varmt välkommen att observera (genom fönstret) en performativ ritual av invokation och votivoffer … vi existerar nu, i en tid som har en djup inverkan på oss alla utan förbehåll … du är inbjuden till en performance som inte föreslår att erbjuda någon tröst, men en påminnelse … en markering av tid när konstnären fortsätter sitt arbete som åtagit sig att vrida på hjulet och erkänna födelsecykeln – död och återfödelse.

Det kommer att finnas tre akter …
Den första akten som äger rum på ID: I Galleri på lördagen den 25 april kl 20.00 nästa akt är på söndagen den 26 april, kl 20.00 och sedan den sista akten påföljande lördag kl 20.00 På söndagen 3 maj från kl 12-17 släpps en liten publikation av en konstnärsbok. Galleriet kommer att vara öppet och det kommer att vara möjligt att komma och träffa konstnären.

Geraldine Hudson är en interdisciplinary konstnär från Engand där hon fick sina kandidat och masters examiner i konst. Hon har utställt runt om i Sverige och Europa och har varit baserad i Stockholm i tio år. under den här tiden varit involverad i olika konstprojekt, särskilt kurator vid Konstapoteket, varit styrelseledamot i Fylkingen och varit huvudproducent / kurator för konstn esoteriska konferensen Conjuring Creativity – detta är en chans att se något av hennes arbete innan hon återvänder till England för att börja det hyllade MFA-programmet vid Goldsmiths University i London. Geraldines arbete har i stor utsträckning handlat om föreställningar om det heliga / vanvittiga och att kommunicera liminalen, när det gäller relation till psykologiska, fenomenologiska tillstånd och fysiska platser .. i en eventuellt missvisad strävan att bli i samklang med kosmos genom äkta koppling till landet under henne fötter … som ovan så här nedan – på både en personlig och social nivå, genom en fast övertygelse om att vår separering från landet och det ”vilda” är ansvarig för vår efterföljande främling och allt det som medför … den chonic är konstanten. .. och Hecate som hennes guide.


  • Vår 2020
  • 17.1-2.2   Dan Lageryd
  • 7.2-16.2   Florence Wild , Joran Stamatakakos
  • 21.2-1.3  Tiny Domingos
  • 6.3-29-3  Alexander Mood
  • 3.4-3.5      Ann Frössén /inställt pga coronapandemin
  •  8.5-31.5  Marjolaine Lombard


Tiny Domingos



Tiny Domingos


curated by Alexander Mood


 22.02 – 1.03.2020

Vernissage  21 February 17 – 20

öppettider Tor-Fre 12-17 Lör-Sön 12-16


Utställningen Jordskred, framtagen specifikt för ID:I Galleri, bjuder in till att betrakta vår omgivande natur med ny blick. Central i utställningen är videon Flank Collapse, ett verk som ifrågasätter markens upplevda hållfasthet genom att visa hur lösa stenar rullar ned för Sciara del Fuoco på ön Stromboli. Filmen visas här för första gången i Skandinavien.

”Avec l’amour, ou la planète, quand on veut maîtriser, on perd.”
Erik Orsenna, French novelist

Specially conceived for the ID:I Gallery, JORDSKRED is an invitation to take a new look at our own natural landscape. As Erik Orsenna recalled in a recent interview: ”Life is the cocktail of strength and weakness. When you want to dominate, you lose.” The author applies the same principle to our planet. All the more reason to rethink the way we perceive our environment. The core of the exhibition is the video FLANK COLLAPSE that questions the notion of ground stability by displaying the descent of loose stones at the Sciara del Fuoco (Stromboli island) and that will be presented for the very first time in Scandinavia, a region also affected by slope instability, landslides and rockfalls. This video artwork allows a vivid perception of the Greek notion of panta rhei (”all things are in flux”) that rules our landscapes – and our inner rhythms – and aims to raise awareness about the great dynamics and fluidity of geomorphological processes and the challenges they represent in terms of risk management, civil protection and cultural heritage.

JORDSKRED is a continuation of a broad Sciart project entitled LANDSLIDE (Resilience in Unstable Times) that was recently presented at the Joint Research Center of the European Commission in Ispra (Italy) and at BOZAR, Center for Fine Arts, Brussels. LANDSLIDE emerges in a time of various and intense upheavals. Like in an landslide or an earthquake, new faults appear and abysses open up in the foundations of our societies, dividing citizens and decision-makers into apparently incompatible groups while democratic values are subject to erosion. Freedom of press and speech, artistic freedom, minorities rights are at stake while great achievements and advanced research in science and culture are been refuted on the basis of ideology. In response to this context, LANDSLIDE addresses the unpredictability of natural disasters in order to enhance the notion of human resilience based on the development of art and science over time. Indeed, human societies have suffered many disasters throughout their history, but tenacity and scientific and cultural advances have made their resurgence possible.

Paying particular attention to the social impacts of natural disasters, LANDSLIDE stresses their analogy with the consequences of financial collapses on populations and relates the challenges of geotechnics and civil protection with those of economic policies. This is how video and art installations based on scientific monitoring and data visualization used in geophysics, vulcanology, geomatics and econometrics emerge. And how a digital 3D chart of the Euro debt crisis can metaphorically be interpreted as a seismic tremor/slope movement and sculpturally represented as a mountainous landscape with high peaks and deep valleys. A way to give tangibility and greater visibility to the little known efforts undertaken to analyze and prevent these disasters and to delay and mitigate their effects.

In this very same spirit, JORDSKRED underlines the ubiquity of the notion of flow and the interconnectedness between phenomena, spheres of knowledge and levels of action apparently far apart. A thread that recalls the cross-curricular spirit and the enormous curiosity of the Renaissance and the need to continue building bridges that facilitate the decompartmentalization of knowledge and the exchange between separated communities.


Tiny Domingos

born in 1968 in Orleans (France). Lives and works in Berlin.

Founder of rosalux, the Berlin-based art space. Holds a degree in Modern Literature and Linguistics at Lisbon University. Studied Painting and Aesthetics Studies at SNBA, Universidade Nova and Faculdade de Belas Artes, Lisbon. Artist in residence at the Joint Research Center of the European Commission, Ispra (Italy) in 2019.

The artistic practice of Tiny Domingos combines space-related work with conceptual approaches surrounding issues on the digital age, economy, earth sciences and pop culture.

His work has been featured, among others, in the Bozar Center for Fine Arts (Brussels), KW Institute of contemporary art (Berlin), Calouste Gulbenkian arts center (Rio de Janeiro) and the Rijksmuseum Amsterdam.


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